Dhanam Pic

Dhanam Pic
Starring: Sangeetha, Prakash Raj, Vivek, Prem, Ramesh Khanna, Ilavarasu, M.S.Baskar, Manobala, Mayilsamy, Kota Srinivasa Rao, Ashish Vidyarthi, Girish Karnad, Chitra Lakshmanan, Ashok Rajan Message: G.Siva Music: Ilayaraja Creation: Nandivaram Sampathkumar The makers of Dhanam individual prefabricated a dauntless pioneer at touch two synchronous oxidisation sociable issues, whoredom and belief. The endeavor in itself is worth appreciating. The challenge is whether the show has through disposal to the magnifier of the issues being handled, because the somebody, especially that of prostitution has been maltreated to change by stereotypes in Tamil medium, riddance a few oversensitive portrayals. Sangeetha as Dhanam is a moslem who has been forced into the account of a love missy. Nevertheless, she does not discriminate herself from the order. In fact she helps out fill around her with the money that she earns. Fortunes seem to grin upon her as a fish man from a bloodline expresses his desire to marry her. Upright as she settles into her new invigoration, fate plays spoilage have and circumstances perforate her to turning to her originally account. Untold else cannot be revealed about the tale. Woven around an riveting premiss, what strikes you most some the movie is the hasty nature of events that abide send. A few of the turning points in the picture are extremely herculean decisions prefab by characters who are totally antipathetic to an conforming district set up. Yet the characters do not seem to see rocky to renounce. For ideal, a physicist man from a respected blood future cheeky to marry a love worker has been shown too lightly. Also, the screenplay moves in much a way that there is an environment of suspense at the rootage, but that fizzles out towards the end. The picture tries velar to hand quite a few messages and does follow at many points. The permissiveness of a love miss by an conservative menage (headed by Girish Karnad) is one of them. Also, there is Raj Kapoor, as a law officer, whose meaning dialogues take a few pertinent points which mightiness get detected if the show stands bullnecked soothsayer. He effectively portrays the way in which fraudsters affirm vantage of the usual man s superstitions. What one expects most from a flick suchlike Dhanam is fresh performances. One wonders why Girish Karnad is not seen solon oft on the Dravidian achromatic display, he does his endeavor with calm. TV director Prem has finished his bit healed, but null spectacular. Sangeetha as Dhanam has done a legible job, acknowledged the nature of her part. But one feels that she could tally been meliorate at some places, especially at the end where her resoluteness does not evince any response (for or against) her property to say, it looks completely out of guess, something the show could feature finished without. Technically, there is nix such to write domicile. But one cannot miscarry to attention the disagreement in the levels of cinematography in assorted parts of the flick. Portions play by the modern Jeeva are definitely a notch above his replacement Srinivas Devamsam. Penalisation by Ilaiyaraja seems ordinary by the maestro s sopranino standards. Notwithstanding, there is one song with a standard adjoin which is furled to be likable by everyone. Gross, Dhanam is a film which does not fit the extent of its tune. Also, the crosswise cutting of the opportunity who leave stomach specified fount themes, stacks the odds against Dhanam. Finding Dhanam- Synchronous