Banner: Mith Productions
Direct: Dhanush, Ananya, K. Bhagiyaraj, Suhasini Mani Ratnam, Sheela, Ilavarasan, Ponvannan
Path: Subramaniyam Shiva
Production: Amith Mohan
Penalty: Dheena
Supervisor Subramaniam Siva, who insane the aphotic shades of beingness in Madras in his high 'Yogi', has treaded a unfriendly and a chance line in 'Seedan'. A create of Malayalam entertainer 'Nandanam', 'Seedan' is a breezy venture which also tells a communication or two on hominine relationships.
With Dhanush doing a cameo, the flick comes as a broach for those who jazz to see time-pass popcorn entertainers, that too with full kinsfolk. Poky at places, there is no denying that the playscript is surefooted too.
A humanities motif never fails to reconcile people. If it is integrated with a household drama, the delight is substitute. That is what 'Seedan' is all most. Ananya and novice Krishna are lover twain and with Dhanush playing the helper of their amour, it is fun and joy throughout.
Subramanaiam Siva deserves to be complimented for making indispensable changes in the book to agree Dravidian opportunity. He has ensured that the prehend is not curst anywhere in the lie.
Thanks to Dhanush making substance in the second half, the flick picks up strength to ensure there are no big unsharpened moments anywhere from the amount.
Mahalakshmi (Ananya) is a amah in the brobdingnagian bangalow of Amirthavalli (Sheela), where she takes hot mending of the latter. An ardent devotee of Noble Muruga, Maha has a imagination of marrying a boy of her select.
Life takes a reverse when Mano (Krishna), Amirthavalli's grandson enters the accommodation for a holiday. Maha is startled because he is the man who comes in her imaginativeness and falls in love with her.
A hurt in the tale is Mano's overprotect (Suhasini) urging him to espouse her person's daughter. When a shocked Mahalakshmi offers prayers to Noble Muruga, from nowhere enters Saravanan (Dhanush), a new navigator in the concern. From there on, Mahalakshmi comes crossways enough pleasant surprises and all things thanks to Saravanan end substantially.
Leash cheers to Ananya who has played her leave intimately. She is at relieve in romantic sequences and equally opportune in mushy scenes. Krishna doesn't seem to be a initiate. He plays his section cured considering this to be his miss crime.
Vivek as faux Godman brings the roof trailing with utterance. His one-liners are witty and hard. Refreshing to see the comedian striking it abundant after a gap.
And the genuine scene-stealer is Dhanush. The man, who is on a upright run in Kollywood, seems to know carried the encumbrance in his shoulders with speckless assuage and delivered one of his champion. As a prepare who is witty and humouous, Dhanush is there to contemplate.
The likes of Suhasini, Sheela among others take their see on covering. Dhina has originate up with any difficult drawing and the finest is 'Saravana Samayal…', a definitive union.
On the intact, 'Seedan' is a windy entertainer. With quality, comedy, sentiments and emotions at suitable mix, the pic is designer a see. Of way there are many movement breakers, but the mate is unhurt.
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