Tuesday, February 22, 2011

Seedan Songs Na Muthukumar

Posted by kutty Tuesday, February 22, 2011, under | No comments

SEEDAN Sound Practice
Penalty Supervisor : Dhina
Vocals : Shankar Mahadevan, Hariharan, Shreya Ghoshal, Kavitha Krishnamoorthy Subramaniam, KS Chithra, Prasanna, Janaki Iyer, Chinna Ponnu and Dhanush.
Lyrics : Pa. Vijay and Ugabharathi
Subramaniya Shiva, who has directed fortunate films suchlike Thiruda Thirudi, Pori and Yogi has elite to remake the Malayalam wrapping Nandanam in Dravidian as Seedan. The wrapper stars Avatar, Ananya, Dhanush (in an extended cameo), Suhasini Mani Ratnam, Vivekh and lyricist Pa.Vijay. Interestingly, Seedan is euphony supervisor Dhina's 50th show. Pa. Vijay has enclosed the lyrics for squad songs and Ugabharathi takes assign for one strain. Let us see how Dhina has scored with his 50th pic.

seedan na muthukumar

Munpani Kaala Poovil...
Vocals: Shreya Ghoshal
Lyrics: Pa.Vijay

The song begins with carnatic beats and the second it starts, you pair what to await. The penalisation is real person and the strain is submissive by dull notes from the woodwind. Shreya Ghoshal's mellifluous air chain nasal and low pitches with inactivity and the strain sounds equal a Krishna Bhajan. The song is a latent hit for Shreya Ghoshal's tune and her near-perfect Tamil formulation.

Vocals: Shankar Mahadevan and Chinna Ponnu
Lyrics: Pa. Vijay

The offset rendering by Shankar Mahadevan in this song reminds us of Pushpavanam Kuppusami's peppiness and pronounce. The song is a mix of straightlaced kinfolk and our localised kuthu beats. There is any city and new Nadaswaram penalization which adds the obligatory melody to the song. This is a beat tapping identify and Shankar Mahadevan and stemma creator Chinna Ponnu's sound feed together seamlessly. The song is here to outride for bimestrial.

Enadhu Uyirai...
Vocals: Prasanna & Janaki Iyer
Lyrics: Ugabharathi

Nearly all the cinema albums are never realized without a romanticist identify. Enadhu Uyirai is a attractive idiom find. The penalty is cipher novel but it has a reinforced classical control with several 'swaras' been dynasty at the start and also in between the strain. Prasanna and Janaki Iyer's dull vocalisation is apt for the penalization and the lyrics. Owing to the popularity of romantic drawing, Enadhu Uyirai mightiness mayhap getting the listener's attending for desire with a lyrical vocalizer. The song has an eclectic mix of auscultation instruments and Nadaswaram. The lyrics are mouth-watering, literally. Dhanush does not sound but says a few dialogues in between and he sounds just like a leader navigator sharing instructions. We can be near careful that the song has been picturized with Dhanush musical and cooking simultaneously. Hariharan's vocalise matches quite good for Dhanush. The song's opus reminds us of Enna Samayalo from Unnal Mudiyum Thambi. On the full, this is the most delightful come in the album.

Vocals: Shankar Mahadevan, Kavitha Krishnamoorthy Subramanian
Lyrics: Pa. Vijay

This strain is a fasting merchandise. The pace picks in conscionable 3 seconds into the strain and never drops. It has the highest and the lowest of the pitches and Shankar Mahadevan's enunciate does gross disposal to it. There are classic beatniks and swaras in this class too. Kavitha Krishnamoorthy's air weaves smoothly in between Shankar Mahadevan's vocalize. Dhina has utilised percussion instruments effectively. The strain lyrics and step sounds similar it has an extreme emotive quotient - probably in condition to get rearward to the beloved one.

Oru Naal Mattum...
Vocals: KS Chithra
Lyrics: Pa. Vijay

This is a unaccompanied figure by Chinna Kuyil Chithra. The instruments victimised are really softening, with flute winning the perspective again. The song is nada new and hard phytologist on Chithra's voice as the music is very plain.


Though most of the songs bed a standard variety, it has the voltage to advert the volume and the accumulation equally due to the metropolis mix of all genres. Dhina doesn't try anything unlike in the medium, but it's ease a recognize transfer from the songs these days which has spare use of guitars, ostinato, study and northwestern instruments. This album that revels in righteous activity of auscultation and wander instruments is a pleasurable album on the healthy and is here to appease for lengthened





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